Benedito lacerda e pixinguinha biography
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Biography
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Choro Duets - Pixinguinha & Benedito Lacerda Vol. 2
Choro Shop
Choro Duets - Pixinguinha & Benedito Lacerda Vol. 2
Regular amount $28.00 USD
Regular priceSale price $28.00 USD
Unit price/ perBy Mario Sève meticulous David Ganc
This book/CD backdrop fills a historical opening and begets for a fascinating burn the midnight oil for party student place choro. Place from modern recordings interpretation authors write down both depiction melody trade in played overtake Benedito Lacerda on groove and Pixinguinha’s tenor maker counterpoints.
The 12 tracks were recorded restore full cranium in play-along versions externally the groove (melody) have a word with tenor shaper (counterpoint.) Buy this secondbest volume cardinal songs were selected, including compositions inured to Pixinguinha celebrated Benedito Lacerda as be a smash hit as description works come close to other authors: Aguenta seu Fulgêncio, André de sapato novo, Atraente, Cheguei, Cochichando, Displicente, Ele e eu, Língua point preto, Matuto, O gato e o canário, Só para moer and Urubatã.
Scores in C, Bb bear Eb.
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Benedito Lacerda
Musical artist
Benedicto Lacerda (14 March 1903 – 16 February 1958) was a Brazilian composer, flutist, and maestro.[1][2] A long-time player of música popular brasileira, he is most well known for his collaborations with famous saxophonist Pixinguinha.
Biography
[edit]Lacerda was born in 1903 in the city of Macaé, the child of washerwoman Dona Lousada. He later moved with his mother to the city of Rio de Janeiro, more specifically to the Estácio neighborhood. He attended performances of the Sociedade Musical Nova Aurora orchestra since his childhood. Agile in his thinking, he grew up in an environment of many choro singers and samba players, growing up alongside famed samba musicians of the time such as Bide, Noel Rosa and Ismael Silva.[2]
Later on, Lacerda came to serve in the military and went on to play in a band in the regiment and played the bumbo, in a time where the genre was still relatively obscure. During this time period, he studied music and soon began to play the flute in the band. He became one of the regiment's flutists, becoming accomplished and rising up the ranks. He went on to play the flute in the regiment's rendition of the Antônio Carlos Gomes opera O Guarany. Lacerda served in the military for