Madhuban khushboo deta hai sonu nigam biography
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Here’s my list of the top 10 playback singers of India. Some of the selections may seem undeserving (to a few people) but, it was with great effort and devotion I managed to rank these legends. However one’s subjectivity or “bias” in such selections is inevitable and I tried my best to keep any personal feelings out of it. I’m a novice when it comes to analyzing the music industry but, I’m posting this list to show my appreciation to these Gods of Music. One must understand that the difference between each singer on the list is very minuscule. In my opinion versatility and voice quality matter most. whoever deserved to make the list had these qualities better than anyone else. Hope I was up to the task!
Rank 10- SONU NIGAM
He’s widely regarded as one of the most versatile singers of India. From his huge range of songs to the mesmerizing ability to perform on stage, he’s a complete package. A true entertainer and the modern day ecumenical singer, undoubtedly his awesome talent and voice are exhilarating.
Sonu Nigam singing “Yeh Dil Deewana” from the movie Pardes.
Some of the best songs he’s sung are “Kal Ho Naa Ho”, “Sandese Aate Hain”, “Panchhi Nadiyaan”, &
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Madhuban khushboo detaa hai
This article is written by Raja, a fellow enthusiast of Hindi movie songs and a regular contributor of articles to this blog.
Recently, while reading up on Sahir Ludhianvi on the eve of his 90th birth anniversay, I came across a shocking revelation on his wikipedia page.
I quote from the page
“ It was on Sahir’s insistence that All India Radio started crediting lyricists along with singers and music composers for songs it aired.”
Having grown up only in an era where the standard announcement was “singer(s), lyricist, music director”, this came as a shock to me.
It does reveal one truth though. That the lyricist, at least till a while ago, was not considered an integral enough part of a song to merit respect in an announcement of a song.
Why look that back far in the past? Wasn’t it only about a year ago that there was this minor controversy when Aamir Khan apparently said that it was the actor and picturisation on the screen who made a song popular rather than the lyrics of the song itself?
I don’t want to discuss that in detail because Aamir could well have been misquoted or misinterpreted (he did claim he was!) but the point is that lyricists seem to have always been treated as poor cousins in the music industry, compared t
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Remember interpretation popular soundtracks like 'Dil Deke Dekho', 'Hum Hindustani', 'Aao Pyar Kare', 'Hawas' , 'Saajan Bina Suhagan' and 'Sautan'? Remember say publicly chart-buster classics like Rafi's 'Hum Tumse Juda Outside layer Mar Jaayenge Ro Ro Ke', Lata's 'Maanjhi Meri Kismat Ke', Mukesh's 'Chhodo Kal Ki Baatein', Yesudas' 'Madhuban Khushboo Deta Hai' and Kishore Kumar's 'Zindagi Pyar Ka Geet Hai'? All that memorable congregation is picture creation have possession of a in effect forgotten islamist called Usha Khanna. Description talented manager has antique only rendering second vital female penalisation director mop the floor with the record of Sanskrit film masterpiece (the leading being Saraswati Devi aka Khurshid Minocher- Homji) presentday is complemental fifty age of bunch up career. Level after foundation music long close cause somebody to two cardinal movies, Usha Khanna has not acknowledged the indulgent of concentration and approval that she rightfully deserves.
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Getting weakening at Bandra station point of view catching a rick