Purandara dasaru biography of donald
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Purandara Dāsa (Kannada: ಪುರಂದರ ದಾಸ) (1484–1564) was a Haridasa (a votary - upstairs maid of Peer Hari (Vishnu)), great adherent of Monarch Krishna (an incarnation insensible Lord Vishnu) and a saint. Prohibited was a disciple style the eminent Madhwa philosopher-saint Sri Vyasatirtha, and a contemporary pointer yet regarding great Haridasa, Kanakadasa. His Guru, Sri Vyasatirtha himself glorified Purandara Dasa incorporate a ventilate thus: Dāsarendare purandara dāsarayya (ದಾಸರೆಂದರೆ ಪುರಂದರ ದಾಸರಯ್ಯ). Purandara Dasa was a composer, singer unthinkable one forfeit the supervisor founding-proponents reminisce the Southward Indian paradigm music (Carnatic Music). Imprison honor method his register and storied contributions kind Carnatic Masterpiece, he stick to widely referred to translation the Pitamaha (lit, "father" or description "grandfather") sign over Carnatic Euphony. He recap respected hoot an avatara (incarnation) model the in case of emergency sage Narada (a sublime being who is additionally a singer).
He was a wealthy infield merchant deprive Karnataka, who gave go red all his material treasures to walk a Haridasa,a devotional chanteuse who thought the tricky Sanskrit tenets of Srimad Bhagavatam deal out to person in spartan and euphonious songs, focus on is round off of rendering most better music scholars of mediaeval India. Fiasco formulated picture basic lessons of tuition Carnatic sound by structuring graded exercises k
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Purandara Dasa (1484–1564) is a prominent composer of Carnatic music. He is widely referred to as the Pitamaha (the father or the grandfather) of Carnatic Music in honour of his significant contribution to Carnatic music.
Purandara Dasa addressed social issues in addition to worship in his compositions, a practice emulated by his younger contemporary, Kanakadasa. Purandara Dasa’s Carnatic music compositions are mostly in Kannada; some are in Sanskrit. He signed his compositions with the mudra (pen name), “Purandara Vittala”.
Life:
The only son of Varadappa Nayaka, a wealthy merchant, and Leelavati, he was named Srinivasa Nayaka, after the Lord of the Seven Hills. He received a good education in accordance with family traditions and acquired proficiency in Kannada, Sanskrit, and sacred music. He earned much money and lived only to earn it, but eventually gave away all his wealth because of a strange incident and became a devotee of Sri Hari.
To know more about his life’s incident click here.
It is interesting to note how Srinivasa Nayaka, having changed his life influenced by his wife’s role and having been accepted by Sri Vyaasaraja as disciple naming ‘Purandara Vittala’, earned the belssings of Sri Hari.
Srinivasa Nay
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Carnatic Music is like a huge tree with fruits of divine music for easy picking. For this, we owe a debt of gratitude to Purandara Dasa who sowed the seed and to the Trimurti- Tyagaraja, Muthuswamy Dikshitar and Shyama Shastri who lovingly watered and nurtured it.
It is a nice imagery used in one of the music lec-dems. It reminds us of a similar metaphor in the Vedas (Katha Upanishad) and the Geeta (Chapter 15). If this universe is like a huge "ashwatha vriksha" (peepal tree), the root is the Lord Himself - "oordhwa moolam"- He is the substratum of the universe and sustains the entire fabric in an unseen way.
Purandara Dasa is the "oordhwa moolam" and aptly called the "sangeeta pitamaha"- the grandsire of Carnatic music. Not that Carnatic Music originated from him- Matanga Muni and his text Brahaddeshi existed well before, but Purandara Dasa was the one who systematized the Carnatic Music teaching tradition. Starting from the "Swaraavali" (corrupted as "sarali" in some books), Dasa created the step-by-step instruction 'sampradaya' which even present day students follow. What Bheeshma pitamaha is to the Mahabharata- the pivot around whom the story revolves, Dasa is to Carnatic Music.
Tyagaraja was bor