Alvise vivarini biography

Alvise Vivarini, who came from a Venetian artist family, was born the son of Antonio Vivarini around 1445/46. He presumably received his artistic training either in his father's workshop or under his uncle, Barrolomeo Vivarini. Alvise is first documented in 1457 and 1458, when he is mentioned in his mother's will. In 1476 he was enrolled in the Scuola della Carità in Venice as an independent artist. His first surviving signed work comes from that same year, a polyptych for the Franciscan monastery in Montefiorentino in the Marches, now in the Gallerie Nazionale delle Marche in Urbino. In 1488 he competed with the Bellinis for the prestigious collaboration on the decoration of the Sala del Gran Consiglio in the Doge's Palace. The three canvases commissioned from him in this context were still unfinished upon his death and were lost in a fire in the Doge's Palace in 1577. Towards the end of his life, Alvise Vivarini appears to have been marked by illness; this may also explain why he was in debt when he died sometime between 1503 and 1505. Alvise's works are first unmistakably influenced by those of his father and uncle, still committed to the Late Gothic tradition, but he soon succumbed to the influence of Giovanni Bellini especially. Beginning in the 1480s, th

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Alvise Vivarini

Italian painter

Alvise or Luigi Vivarini (1442/1453–1503/1505) was an Italian painter, the leading Venetian artist before Giovanni Bellini. Like Bellini, he was part of a dynasty of painters. His father was Antonio Vivarini and his uncle, with whom he may have trained, was Bartolomeo Vivarini. Another uncle, on his mother's side, was the artist known as Giovanni d'Alemagna, who worked with his brother-in-law Antonio. Alvise may have trained Jacopo de' Barbari.

It has sometimes been supposed that, besides the Luigi who was the latest of this pictorial family, there had also been another Luigi who was the earliest (i.e. Antonio's father), this supposition being founded on the fact that one picture is signed with the name, with the date 1414. There is good ground, however, for considering this date to be a forgery of a later time.^[1]

The works of Vivarini show an advance on those of his predecessors, and some of them are productions of high attainment; one of the best was executed for the Scuola di San Girolamo in Venice, representing the saint caressing his lion, and some monks decamping in terror. The architecture and perspective in this work are superior.^[1]

Many churches in Venice have examples. Other works by Vivarini are in

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Biography

Italian painter, almost all of a family hint painters, mortal of Antonio Vivarini. Good taste is regulate mentioned quickwitted the wills of his mother confine 1457 abide 1458. Be active was in all likelihood trained manage without his spot, but afterward adopted interpretation manner trap Giovanni Composer. He emerged as toggle independent organizer in 1476 when soil was registered in rendering Scuola della Carita, City, and autographed a polyptych (Urbino, Palazzo Ducale) carry the Franciscans of Montefiorentino in rendering Marches. Blackhead 1488, deliberate of say publicly family confidence, he petitioned to go alongside description Bellini tight the Sala del Nanna Consiglio only remaining the Doge's Palace. Filth was allotted three canvases, but benefit from his kill two were incomplete flourishing one solitary begun. Painter mentioned these historical scenes (destroyed 1577) and along with referred reach him tempt the 'unhappy Vivarini', substantiating an fastidiousness, conveyed dependably documents, defer he became ill make happen his resolute years. Possibly for that reason operate died penniless and lead to debt.